Creep 2014 Doblaje Español

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Creep 2014 Doblaje Español

Equipo De Filmación

Coordinación Departamento de arte:
Shalane Gross


Coordinador de acrobacias:
Jamiel Bogart


Diseño de guión:
Justyne Sardou


Imágenes : Diamond Armelle
Co-Produzent : Kyon Aragon


Productor ejecutivo : Heaton Pullos


Director de arte supervisor:
Ilyès Batard


Produce|Producir : Zeenat Sahrish


Fabricante: Butor Paquin


Actriz : Debi Rafik

6.4
634

Título de la película	Creep 2014 Doblaje Español
Duración	147 minutos
Lanzamiento	2014-06-23
valor	Dolby Digital 1440p WEBrip
Categoría	Horror, Thriller
habla	English
nombre de reparto	Asin F. Delors, Eva ProductionRandall D. Fannie, Bayard B. Imene

[HD] Creep 2014 Doblaje Español

The disturbing and mind-bending ‘Creep’ certainly startles with its sense of sophisticated salaciousness, so why should it not meet the expectations of its haunting and hallucinatory hedonism? After all ‘Creep’ was from the handlers that gave fright fans unnerving and twitchy thrills in fear-monger flicks such as ‘Paranormal Activity’ and ‘The Purge’. Granted that the found footage genre has become rather obligatory but there are moments when one can declare a sense of distinction and devilish freshness where frightfests in the realm of ‘Creep’ can compel with warped and contemptible glee. When a flinching film can muster up an erratic combination of chaos and comedy and still manage to stay on course in its horrific havoc then vehicles such as ‘Creep’ can claim bragging rights in the slight re-invention of the aforementioned and omnipresent found footage theme.

Part of ‘Creep’s unctuous appeal is steeped in the wicked and wayward imaginations of collaborators in director/co-writer Patrick ‘The Overnight’ Brice (making his directorial feature debut here), co-writer/co-star Mark Duplass and producer Jason Blum (‘Paranormal Activity’, ‘Insidious’, ‘Sinister’). These morbid masterminds effectively instill the aptly-named ‘Creep’ with bountiful black humour in this glorified goose-bump fable that proudly struts its low-budgeted, atmospheric indie chops armed with outrageous dares and scares.

Unemployed videographer Aaron (Patrick Brice) unknowingly fishes out the on-coming scrutiny when he answers a Craigslist ad requesting the secretive side of film-making. Thus, Aaron travels to an isolated cabin in the middle of the desolate mountains to meet up with Josef (Mark Duplass, from TV’s ‘The League’). The sickly Josef, proclaiming his supposedly cancer-stricken condition, wants to be filmed on video as he prepares a diary for his unborn son. Well, the gesture seems heartfelt enough under the surface and something that Aaron should handle with kid gloves, right?

Aaron’s assignment at first appears innocuous as he gathers the insights and intimate moments that Josef provides for the sake of his future offspring. In fact, the two men even become somewhat close and bond together as they wander in the mountains mixing business with a bit of pleasure tossed in for good measure. Soon, Josef steadily starts to show his true colors as his interviews become intense and erratic. The darkness of Josef’s moods shift ominously back and forth. Hence, Aaron understandably becomes quite weary of his videotaped creepy companion’s behavior. It certainly does not help that Aaron unravels some sordid secrets regarding Josef’s unsettling backstory. Just where does Josef’s degree of delusions figure in as far as Aaron’s perspective is concerned?

The shocking moments in ‘Creep’ serves its purpose effectively, especially when the cat-and-mouse titillation and tension is enveloped in a low-budget, knee-jerking production that thankfully is refreshingly taut as it is naughtily off-kilter in its serving of several jittery jump scares and, of course, the edginess of the two men, one armed with suspicion and paranoia and the other one bottled up in a hefty grip of psychosis. The constant antagonism that the creepy Josef demonstrates towards Aaron is a traumatising tease that eerily registers with numbing realization. Fittingly, the found footage fear factor angle does not overtake or drown out the psychological give-and-take anxiety between the defensive Aaron and demented Josef.

If anything, ‘Creep’ manages to not exhaust the found footage foundation as a gory gimmick that many of these kinds of fright flicks fall victim much too often. Instead, the movie is shrewdly aware to take a smirking poke at the impish concept through shaky satirical means. The real trepidation lies in the sometimes quiet yet manic motives of Josef, a live wire that can explode at any minute yet leaves one wondering as to when and where his menacing madness will filter out as it is directed toward his nearby guinea pig in the vulnerable Aaron. Both Brice and Duplass are convincingly engrossing as contributing co-writers and co-stars of an edge-of-your-seat chiller that does not necessarily need to overwhelm the audience’s nervous system with grotesque tactics of torture to bring along the bloody chase of a detached thrill.

Creep (2015)

The Orchard

1 hr. 20 mins.

Starring: Mark Duplass and Patrick Brice

Directed by: Patrick Brice

MPAA Rating: R

Genre: Horror and Suspense

Critic’s Rating: *** stars (out of 4 stars)
I'm pretty far from on board with Found Footage Horror, and _Creep_ hits a lot of the reasons why. It also seems like there was no reason it had to be Found Footage in the first place. But that all said, Mark Duplass' performance is enough to elevate the piece somewhat, and kudos to director Patrick Brice for trying something new with the format.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Not to be confused with the 2004 British slasher set in Charing Cross Underground Station, 'Creep' is an American Handheld horror movie about a film-maker who answers an advert to film a dying man to leave something for his unborn child.

The screenplay and performances are not very good but the film's over reliance on annoying jump scares make some scenes fill with tension. The film tries to bring up connections with 'The Blair Witch Project' but fails to be anywhere near as good due to the fact that it is poorly executed and has unsympathetic characters.

It has a silly ending to top it all off but it leaves quite a resonating impact.

★★
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.

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Lista de municípios da Bahia por população 2017 ~ Esta lista de municípios da Bahia por população está baseada na estimativa de 2017 do IBGE 1 A Bahia é uma das 27 unidades federativas do Brasil e é dividida em 417 municípiosO território baiano equivale a 664 do brasileiro e com um pouco mais de 15 milhões de habitantes 75 da população brasileira 1 o estado possui a quinta maior área territorial e o quarto maior

Lista dos distritos de São Paulo por Índice de ~ Esta é uma lista dos distritos paulistanos ordenada por Índice de Desenvolvimento Humano incluída no Atlas do Trabalho de Desenvolvimento do Município de São Paulo 2007 O Índice de Desenvolvimento Humano IDH é uma medida comparativa de riqueza alfabetização educação esperança de vida natalidade e outros fatores para os diversos países do mundo É uma maneira padronizada

Walter A Shewhart – Wikipédia a enciclopédia livre ~ Implementou o CEP para a Bell Telefones em busca da redução de falhas nos sistemas tornando viável a alguns sistemas elétricos serem implementados no subsolo como resultado da redução da necessidade de manutenção Seu trabalho está sumarizado no livro Economic Control of Quality of Manufactured Product publicado em 1931 Referências

Hong Kong – Wikipédia a enciclopédia livre ~ No processo que levou ao estabelecimento da República da China em 1912 Hong Kong serviu de refúgio político para muitos dos opositores ao antigo ós 1912 o nacionalismo chinês afirmouse hostil relativamente a potências externas Entre 1925 e 1927 este regime proibiu o acesso de navios ingleses aos portos do Sul da China facto que comprometeu seriamente o comércio de Hong Kong

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